COWEE
MOUNTAIN TIMBER FRAMERS
104
Wykle Road Franklin, NC 28734
tel: (828) 342-8155
sales@timberframesales.com |
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Heating your
Timber Frame
What is a Masonry Heater?
A Masonry Heater allows you to heat your
home with wood in a unique way. Its main distinction is the ability to
store a large amount of heat. This means that you can rapidly burn a
large charge of wood without overheating your house. The heat is stored
in the masonry thermal mass, and then slowly radiates into your house
for the next 18 to 24 hours.
If you burn wood fairly rapidly, it is a
clean fuel. If you try to burn it too slowly, the fire will change from
flaming to smoldering combustion. The burning process is incomplete and
produces tars. Atmospheric pollution increases dramatically. This is
important if you are planning an energy-efficient house. The average
energy demand of your house will be quite low. For most of the time, it
may require only 1 to 2 kW of heat. For most conventional woodstoves,
this is below their "critical burn rate", or the point where they start
to smolder. In other words, woodburning and energy efficient houses
don't really suit each other very well, unless you have some way to
store heat so that your stove can operate in the "clean" range all of
the time.
Masonry heaters fill the bill perfectly.
If you need even a very small amount of heat, such as between seasons
when you simply want to take off the chill, you simply burn a smaller
fuel charge-yet you still burn it quickly. The large surface is never
too hot to touch. You have a premium radiant heating system with a
comfort level that simply cannot be equaled by convection or forced air
systems. MHA Masonry Heater Definition A masonry heater is a site-built
or site-assembled, solid-fueled heating device constructed mainly of
masonry materials in which the heat from intermittent fires burned
rapidly in its firebox is stored in its massive structure for slow
release to the building. It has an interior construction consisting of
a firebox and heat exchange channels built from refractory components.
Specifically, a masonry heater has the
following characteristics:
- A mass of at least 800 kg. (1760 lbs.),
- Tight fitting doors that are closed during the burn
cycle,
- An overall average wall thickness not exceeding 250
mm (10 in.),
- Under normal operating conditions, the external
surface of the masonry heater, except immediately surrounding the fuel
loading door(s), does not exceed 110 C. (230 F.),
- The gas path through the internal heat exchange
channels downstream of the firebox includes at least one 180 degree
change in flow direction, usually downward, before entering the
chimney,
- The length of the shortest single path from the
firebox exit to the chimney entrance is at least twice the largest
firebox dimension,
- A maximum chimney flue size of 200 mm X 300 mm (8 in.
X 12 in.) nominal or 200 mm (8 in.) i.d. round, and
- The body of the masonry heater and its chimney do not
penetrate an exterior vertical wall of the building.
(passed unanimously at 1998 MHA Annual Meeting, June 8, 1998)
For Information on the Masonry Heater
Association of North America:
http://mha-net.org/index.htm
- One Cord of Firewood Conversion
Values
4foot x 4foot x 4foot
- One Cord of Hardwood weighs 5,758 pounds
- One Cord of Pine weighs 5,232 pounds
- One Cord of White Oak has 22.7 million BTU's
- One Cord of Hickory has 24.6 million BTU's
- One Cord of Red Maple has 18.6 million BTU's
- One Cord of White Pine has 13.3 million BTU's
Board Foot Conversion: 3.5 cords=
one thousand board feet
Firewood Permits Available From
U.S. Forest Service
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Infloor®
Heating Systems
Americans are changing the way they
heat their homes...Starting in Minnesota and across the country to New
Mexico, California, Ohio, Pennsylvania and even Florida.
Tim Ashenfelter and his family live
in an 1890's home in Minnesota. When they decided to renovate their
kitchen, they had to tackle an ancient, sloping floor, and their
contractor told them that the only way to even out the floor would be
to have a product called Therma-Floor® poured. This gypsum floor
underlayment is a perfect conductor of heat, and the Ashenfelters
decided to have radiant floor heating installed, too. Hot water piping
was laid on top of the floor structure before the Therma-Floor was
poured. "We can't wait for winter," says Tim Ashenfleter, "to see how
our kids feel, walking across that warm floor in the middle of a cold
Minnesota winter!"
When Terrance and Joan Fregley of
Tallahassee decided they wanted the look of elegant marble floors, they
also knew those floors would be chilly even in mild Florida winters.
That's when they turned to radiant floor heating. "I wanted something
to keep the floors warm during the winter." says Terrance. "In our
case, radiant floor heating was a choice we made for its sheer comfort
value. Our new floors not only feel good, they have added tremendously
to the enjoyment of our home."
Bill and Lois Kempley have lived off
the land in rural Wisconsin for more than 20 years. They have relied on
every kind of heating system, including wood. When they decided to
build a new farmhouse, they opted for electric radiant floor heating.
"It's the cleanest, safest, most comfortable heating system we've every
owned." says Lois. "It's invisible and so quiet. No forced air blowers
to listen to and no ugly baseboards, registers or radiators to look at."
Kurt and Gerti Lausecker wanted
every detail of their new home to be extra special. Kurt, who was
raised in Germany with radiant floor heating, knew that he not only
wanted the comfort of this heating system, he also knew first hand the
energy efficiency of such a system. All 3,300 square feet of the
Lausecker's new home is heated with radiant floor heating. "I can't
tell you what a pleasure it is to be able to step out of our whirlpool
onto a toasty warm floor," says Kurt.
The Ashenfelters, Fregleys, Kempleys
and Lauseckers are part of a growing trend, nationwide away from forced
air heating and toward radiant floor heating. "We are beginning to see
a major expansion in the market," says John Fantauzzi, Infloor Product
Manager at the Maxxon Corporation.
A leading American producer of
radiant floor heating, the Maxxon Corporation is in Hamel, Minnesota.
They developed a state-of-the-art group of products called Infloor®
Heating Systems, that are now being installed by some 650 dealers
nationwide. This is the way Infloor heating systems work. Hot water
tubes or electric cables are attached to the subfloor and covered with
a pourable floor underlayment called Therma-Floor®. Water
circulating through the tubes or electrical resistance in the cables
warms the underlayment and the floor covering. The floors never become
hot, just pleasantly warm. Floor temperature is thermostatically
controlled through a heat sensor inside the Therma-Floor or through an
air sensor.
The concept can be adapted to any
type of home. The hot water version can be connected to a boiler, water
heater, heat pump, solar collector; basically any existing source of
hot water. The electric version is equally adaptable. Increasingly,
people are turning to radiant floor heating, both in the construction
of new homes and when renovating and updating old ones.
Proponents of radiant floor heating
-- and people who have switched from a standard heating system to a
radiant floor heating system speak with a missionary zeal about their
warm floors -- point out several advantages to the new heating systems.
An Infloor heating system transfers heat directly; it doesn't waste
energy trying to warm tremendous volumes of air, as in a forced-air
system. There are no drafts or hot-air surges; heating throughout the
home is uniform, with very little temperature difference between the
floor and the ceiling. Utility bills for a home heated by radiant floor
heating have a potential savings of up to 40% less than the identical
home using a forced air furnace. Because heat doesn't collect at the
ceiling where it is most likely to escape, radiant floor heating can
also reduce heat loss by up to 30%. So even though your thermostat is
set lower than it would be with a forced air system, you feel warmer.
There are no registers or cold-air returns to circulate dust or
allergens, and as homeowners and home buyers are becoming increasingly
health conscious, this feature will probably become more important.
Designers usually prefer to design homes heated with radiant floor
heating because there are no ugly baseboards, no awkward radiators and
no unsightly registers: nothing to interfere with interior furnishings
or design concepts.
Though radiant floor heating is not
a new invention, it is just beginning to catch on in the United States,
with Minnesota, Colorado, New Mexico, Utah and Northern California in
the lead. Radiant floor heating is well-entrenched in Europe, where an
estimated 60% of existing homes, and up to 90% of new homes are heated
through the floor. John Fantauzzi explains that "Europeans build their
homes for the long haul. They expect their homes to be handed down from
generation to generation, so when they build, they build for the
future. They are willing to invest more upfront, for high quality
systems that will last. In America, we tend to build houses we plan to
live in for three or four years."
Asked why Americans have been slower
to switch from forced air heating systems to radiant floor heating,
sources in the housing industry invariably cite cost. The cost of
installing radiant floor heating might cost two or three times more
than a forced air system, initially. "And, 'initially' is the key word
here," says Fantauzzi. "People who are building and buying new homes
need to remember that in the long run, their heating bills will be up
to 40% lower than they would be with forced air.
The other issue is quality. We
believe that people will pay more for the added advantages of radiant
floor heating: health, aesthetics, and more importantly, comfort. Just
as people will pay more for a top-notch car that runs beautifully and
lasts, over a cheap, inefficient one that constantly has to be
repaired, they will pay more at the outset for radiant heating when
they realize how comfortable it is."
One of the central reasons Americans
have been slow to change over to radiant floor heating is that they
have not been told about it, or, if they have heard about it, they have
not experienced it. "Homeowners don't know how uncomfortable they are
in a forced air heating system until they have experienced radiant
floor heating," says Fantauzzi.
One way to try the comfort of
Infloor is with a Warm Floor Kit. Infloor has a kit with everything a
do-it-yourselfer (or contractor) needs to make floors barefoot warm.
120v electric cables attach quickly to wooden subfloors. The cables
warm the Therma-Floor or mortar and floor coverings. Available in three
sizes, the kits can be installed in bathrooms, kitchens, entryways or
anywhere comfort is a priority.
Clyde Jorgenson, President of the
Maxxon Corporation says, "There is a quiet revolution going on in this
country. We see evidence of it every day, in the letters, phone calls,
and orders we get from around the country. Americans are definitely
changing the way they heat their homes."
For more information, contact:
Marketing Services Department,
Maxxon Corporation,
920 Hamel Road,
Hamel, Minnesota 55340.
Phone: (800) 588-4470
For even more information contact: Barbara Saxton (612) 478-9600
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Passive Solar
Design - Buildings for the Future
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- written in part by Stuart
Perry, former NEED student from Rhode Island
People have observed the cycles of
the sun for centuries and used that knowledge to heat, light, and even
cool their buildings. But it was the oil embargoes of the 1970s that
really started the country thinking about ways to reduce the energy
needs of homes and other buildings. On average, 70 percent of
buildings' energy costs are for heating, cooling, and lighting. How
could we use less energy and less fuel-by designing buildings that
maximize the sun's energy ?
Many researchers focused on
designing buildings that use the sun naturally - or passively - without
installing special equipment. Others incorporated solar panels in their
designs to heat water and generate electricity. The early solar
buildings did save energy, though they were too futuristic-looking for
many people and not very cost-effective. The last twenty years,
however, have brought innovations in window construction, insulation,
and design that are making people take a second look.
In passive solar design, the idea is
to collect light and heat energy from the sun during the day -
maintaining a comfortable temperature inside and release the heat at
night as temperatures drop. Think about climbing into a car on a sunny
day, even when it's cool 'outside. It can be pretty hot in there, can't
it ?
Sunlight enters through the windows
and is converted to heat when it hits the interior. The same windows
that let in the light energy keep the heat from escaping.
Passive solar - or climate
responsive buildings are designed to take advantage of the sun's
energy. Buildings are oriented with long, south-facing walls with many
windows. Fewer windows are placed on north-facing walls. In addition,
heavy floors and walls provide thermal mass to collect the heat, and
advanced window systems prevent the heat from escaping, at night.
Good insulation in the walls and
ceiling, and weatherstripping around cracks, are necessary to prevent
heat loss in winter and to keep it out in the summer. The design and
placement of doors is also important. Even the outdoor landscaping can
make a building more energy-efficient.
With well-placed windows, the need
for artificial lighting can be significantly reduced. Studies have
shown that students perform better on tests when their classrooms have
natural lighting and workers are more productive in solar office
buildings. People also say that the heat in solar buildings is more
comfortable than artificial heating.
Even older, traditional buildings
use the sun s energy to some extent. Most buildings have windows that
make use of sunlight to reduce the need for artificial lighting. And
about five percent of a traditional building's heat comes from the sun.
These older buildings can be adapted
in many ways to maximize the sun's energy. Installing- heavy,
insulating shades on south facing walls is one way - and making sure
that they're open during the day and closed at night in the winter.
Adding an overhang to south facing windows can also make a big
difference, since the sun's rays are more directly overhead in the
summer and angled in the winter.
Another good idea is to plant
deciduous trees near the windows. In the summer, the leaves shade the
building from unwanted heat, while in winter the sunlight penetrates
the bare branches to reach the windows. And, of course, increasing
insulation and installing energy-efficient windows and doors always
makes sense.
Every new structure built today
should take advantage of the energy savings of passive solar design.
Mary-Margaret Jenior, an expert on passive solar buildings at the
Department of Energy, reports that new solar buildings in any climate
in the U.S. can capture 40 - 90 percent of the energy they need for
lighting, heating, and cooling. Researchers at DOE's National Renewable
Energy Lab are designing building plans that use solar energy for 75
percent of their energy needs, without adding appreciably to the
overall construction costs.
One of the most important
developments in passive solar technology is the computer. With the help
of an industry-government collaborative, the Passive Solar Industries
Council has developed a software program that calculates the optimum
design for a building, taking, into account the climate of the site and
the materials and design strategies to be used. A similar program
assists in integrating auxiliary energy systems in the buildings.
Adding- equipment such as
photovoltaics is also advocated by many solar experts, now that the
cost. efficiency, and reliability of PV cells has improved.
Photovoltaics and active water heating systems can provide additional
energy savings, but the cost may still seem prohibitive to many people.
Many researchers think that in the
future, a well-designed solar building with occupants committed to
conserving energy could harness all the energy it needs from the sun.
"Maybe," says Mary-Margaret Jenior, "NEED students will say to
themselves, 'my building could become the utility of the future!"'
Web sites for more information:
http://www.psic.org
http://www.nrel.gov/buildings/exemplary
http://www.eren.doe.gov
http://www.ases.org/solar
Suggested Activities:
1. Call your local builders association and ask if
there are new solar buildings in your area and if any local builders
are specializing in solar design. Take a field trip to one or more of
the buildings. Ask a knowledgeable builder to speak to your classes.
2. Have groups of students design and build
mock-ups of "the perfect solar home", incorporating the unique climate,
materials, and energy sources available in your area.
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Exemplary Living
at the Grand Canyon
The recently completed
environmentally friendly "exemplary home" at Grand Canyon National Park
is the result of almost 20 years of buildings research. Designed by
engineers of the National Renewable Energy Laboratory in conjunction
with park service personnel, the home combines energy efficiency with
state-of-the-art passive solar technology to achieve a 75 percent
reduction in energy use compared with a conventional home.
"The occupants say they're very
satisfied with the home's performance," said Todd Alexander, project
manager for the National Park Service. 'Utility bills averaged about
$100 a month in December, January, and February. Some of the other new
homes nearby paid as much as $300 per month depending on the number of
occupants and their lifestyle."
The exemplary home features glazed
Trombe wall that captures and stores the sun's heat for slow, even
release at night. On hot summer days, the Trombe wall keeps the home
comfortably cool by intercepting the sun's heat. Clerestory windows
bring natural daylight into the living space, reducing the need for
energy-consuming electric lights. R-50 ceiling insulation, R-34 walls
and an insulated concrete pad are part of an ultra-air-tight building
envelope that reduces air leakage by 60 percent when compared to
conventional construction. A waste heat recovery system captures heat
from the ventilation system and uses it to worm the water for laundry,
showers and kitchen.
"This is an integrated building
design - one that considers all aspects of how a building uses energy,"
explains Paul Torcellini*, head of NREL?s exemplary buildings research
program. "Typically, exemplary homes will cost about the same to build
as conventional homes. Upfront design costs are a bit higher, but
homeowners quickly recover the extra cost through energy savings."
Existing passive solar designs
reduce home energy use by about 40 percent. Advanced technologies such
as those demonstrated at the Grand Canyon have the potential to slash
residential heating bills by as much as 95 percent and lighting bills
by 80 percent.
This article first appeared in
the July/August 1997 issue of Solar Today, a publication of the
American Solar Energy Society, and is reprinted with permission of ASES
and the writer, Linda Brown, a freelance writer in Colorado, who can be
reached at (303) 838-1573.
*Paul Torcellini, head of NREL's
exemplary buildings research program, is a former NEED student from
Connecticut, and serves on NEED's Board of Directors.
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Planning your
Timber Frame
Is it Necessary to Buy
a Sawmill?
When building their own homes,
individuals frequently consider buying a sawmill to cut the lumber from
their own timbers. In some cases, the expense is easily recouped. In
most cases, it is best to seek other means to have lumber cut. One
option is to have a local portable sawmill hired to saw at the site
from the available timbers; and a second option is to compare this cost
to the available beams and lumber available in the area. A sawmill will
cost about $20,000, the maintenance is expensive, and generally a low
return on the investment can be expected.
How to Choose Logs for Your
Timberframe
When buying or cutting logs for a
timber frame, it is very important to choose the ones most suitable for
high-quality beams. Here are a few tips:
- Never use logs that have a bow in them if you can
avoid it. Bowed logs make bowed beams even if they are cut straight.
- Do not choose logs with large knots. Large knots
weaken the beam.
- Do not choose logs that have been cut a long time
ago. Pine logs will have beetle damage.
- Watch for rot in the butt end of the log.
- Make sure the diameter of the log is large enough
for the beam you want. Remember any bow will reduce the size of the
beam that is possible from the log.
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- What Type of Wood Should be
Used?
The best choice of wood is based on
several factors. The four most popular in the U.S. are White Pine,
Douglas Fir, Oak and Yellow Pine. Personally, I think it is best to use
the wood available to the timberframer you choose,. As for the "best"
wood to choose, each has its particular qualities. For instance, White
Pine is the most stable and Oak is the strongest.
Should my Beams be Planed or Not?
Determining whether to build your
timber frame home of planed or unplaned beams is only a matter of
taste. The planed timbers will come out with a very finished look. High
end shops such as Thistlewood or the Upper Loft are well suited to
build planed timber frames. The unplaned frame is a more rustic look.
The joinery in an unplaned frame is never as exact as a planed frame. A
company such as Cowee Mountain Timberframers prefers unplaned frames
because they are more suitable for apprentice work as well as student
workshops.
As for strength, remember that
unplaned frames have been around for over one thousand years. Once
again, it is only a matter of taste.
Buying Beams
One important factor which will
affect your timber frame is the quality of the beams you buy from the
sawmill. Check for the following:
- What is the quality of the wood in the beam?
Avoid large knots, wane on the edges and worm holes.
- How square are the timbers? Always take a
carpenter square when you buy timbers. Use your discretion with
selecting square beams.
- How old are the timbers? Old timbers that have
been weathered may appear grey and very unattractive.
- How straight are the timbers? Bowed timbers do
not fit or square up in the pretrial assembly process.
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Caring for your beams
When preparing to build a timber
frame, nothing is more important than taking proper care of your beams
once you receive them from the sawmill or the planer.
The three main things that harm timbers are sunlight, water and lack of
air circulation. The best way to care for timbers is to have them in a
well ventilated pole-barn style building. They should be on beams at
least eight inches off the ground, level and placed in such a way as to
give good support to your beams. Beams should be spaced about a half an
inch apart. This allows air to circulate around the beam. After the
first layer, you should place 1 x 1 or larger sticks between the
layers. These should be placed directly above the 8 x 8 beams on the
ground. Your stacks should not be more than 4 or 5 feet wide and no
more than 4 or 5 feet high.
Note: You will have fewer problems with blue stain if your beams are
cut in the winter.
Supervising Construction of Your
Timber Frame Home
In some cases, supervising the
construction of your own timber frame home can be beneficial. A great
deal of money can be saved during the building process if you are able
to:
- Manage your timber frame construction with a
thorough knowledge of quality building techniques.
- Properly hire, schedule and supervise the
particular subcontractors needed for your job.
- Organize purchases and deliveries of various
materials for the appropriate subcontractors.
- Hold weekly meetings with subcontractors and other
personnel (i.e. inspectors, delivery trucks, etc.) to coordinate work
progress.
Note: It is recommended that you check
references on unusually low bids.
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Alternative Building Methods
Design
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Smaller is better: Optimize use of interior space through
careful design so that the overall building size--and resource use in
constructing and operating it--are kept to a minimum.
* Design an energy-efficient
building: Use high levels of insulation, high-performance
windows, and tight construction. In southern climates, choose glazings
with low solar heat gain.
* Design buildings to use
renewable energy: Passive solar heating, daylighting, and
natural cooling can be incorporated cost-effectively into most
buildings. Also consider solar water heating and photovoltaics--or
design buildings for future solar installations.
* Optimize material use:
Minimize waste by designing for standard ceiling
heights and building dimensions. Avoid waste from structural
over-design (use optimum-value engineering/advanced framing). Simplify
building geometry.
* Design water-efficient,
low-maintenance landscaping: Conventional lawns have a high
impact because of water use, pesticide use, and pollution generated
from mowing. Landscape with drought-resistant native plants and
perennial groundcovers.
* Make it easy for occupants
to recycle waste: Make provisions for storage and processing
of recyclables: recycling bins near the kitchen, undersink compost
receptacles, and the like.
* Look into the feasibility
of graywater: Water from sinks, showers, or clothes washers
(graywater) can be recycled for irrigation in some areas. If current
codes prevent graywater recycling, consider designing the plumbing for
easy future adaptation.
* Design for durability:
To spread the environmental impacts of building
over as long a period as possible, the structure must be durable. A
building with a durable style ("timeless architecture") will be more
likely to realize a long life.
* Design for future reuse
and adaptability: Make the structure adaptable to other uses,
and choose materials and components that can be reused or recycled.
* Avoid potential health
hazards: radon, mold, pesticides: Follow recommended practices
to minimize radon entry into the building and provide for future
mitigation if necessary. Provide detailing that will avoid moisture
problems, which could cause mold and mildew growth. Design
insect-resistant detailing that will require minimal use of pesticides.
Siting & Land Use
* Renovate older buildings: Conscientiously
renovating existing buildings is the most sustainable construction.
* Create community: Development
patterns can either inhibit or contribute to the establishment of
strong communities and neighborhoods. Creation of cohesive communities
should be a high priority.
* Encourage in-fill and
mixed-use development: In-fill development that increases
density is inherently better than building on undeveloped (greenfield)
sites. Mixed-use development, in which residential and commercial uses
are intermingled, can reduce automobile use and help to create healthy
communities.
* Minimize automobile
dependence: Locate buildings to provide access to public
transportation, bicycle paths, and walking access to basic services.
Commuting can also be reduced by working at home--consider home office
needs with layout and wiring.
* Value site resources: Early
in the siting process carry out a careful site evaluation: solar
access, soils, vegetation, water resources, important natural areas,
etc., and let this information guide the design.
back to top of page
* Locate buildings to
minimize environmental impact: Cluster buildings or build
attached units to preserve open space and wildlife habitats, avoid
especially sensitive areas including wetlands, and keep roads and
service lines short. Leave the most pristine areas untouched, and look
for areas that have been previously damaged to build on. Seek to
restore damaged ecosystems.
* Provide responsible
on-site water management: Design landscapes to absorb
rainwater runoff (stormwater) rather than having to carry it off-site
in storm sewers. In arid areas, rooftop water catchment systems should
be considered for collecting rainwater and using it for landscape
irrigation.
* Situate buildings to
benefit from existing vegetation: Trees on the east and west
sides of a building can dramatically reduce cooling loads. Hedge rows
and shrubbery can block cold winter winds or help channel cool summer
breezes into buildings.
Materials
* Avoid ozone-depleting
chemicals in mechanical equipment and insulation: CFCs have
been phased out, but their primary replacements--HCFCs--also damage the
ozone layer and should be avoided where possible. Avoid foam insulation
made with HCFCs. Reclaim CFCs when servicing or disposing of equipment.
* Use durable products and
materials: Because manufacturing is very energy-intensive, a
product that lasts longer or requires less maintenance usually saves
energy. Durable products also contribute less to our solid waste
problems.
* Choose low-maintenance
building materials: Where possible, select building materials
that will require little maintenance (painting, retreatment,
waterproofing, etc.), or whose maintenance will have minimal
environmental impact.
* Choose building materials
with low embodied energy: Heavily processed or manufactured
products and materials are usually more energy intensive. As long as
durability and performance will not be sacrificed, choose
low-embodied-energy materials.
* Buy locally produced
building materials: Transportation is costly in both energy
use and pollution generation. Look for locally produced materials.
Local hardwoods, for example, are preferable to tropical woods.
* Use building products made
from recycled materials: Building products made from recycled
materials reduce solid waste problems, cut energy consumption in
manufacturing, and save on natural resource use. A few examples of
materials with recycled content are cellulose insulation, Homosotereg.,
Thermo-plyreg., floor tile made from ground glass, and recycled plastic
lumber.
* Use salvaged building
materials when possible: Reduce landfill pressure and save
natural resources by using salvaged materials: lumber, millwork,
certain plumbing fixtures, and hardware, for example. Make sure these
materials are safe (test for lead paint and asbestos), and don't
sacrifice energy efficiency or water efficiency by reusing old windows
or toilets.
* Seek responsible wood
supplies: Use lumber from independently certified well-managed
forests. Avoid lumber products produced from old-growth timber unless
they are certified. Engineered wood can be substituted for old-growth
Douglas fir, for example. Don't buy tropical hardwoods unless the
seller can document that the wood comes from well-managed forests.
* Avoid materials that will
give off gas pollutants: Solvent-based finishes, adhesives,
carpeting, particleboard, and many other building products release
formaldehyde and volatile organic compounds (VOCs) into the air. These
chemicals can affect workers' and occupants' health as well as
contribute to smog and ground-level ozone pollution outside.
* Minimize use of
pressure-treated lumber: Use detailing that will prevent soil
contact and rot. Where possible, use alternatives such as recycled
plastic lumber. Take measures to protect workers when cutting and
handling pressure-treated wood. Scraps should never be incinerated.
* Minimize packaging waste: Avoid
excessive packaging, such as plastic-wrapped plumbing fixtures or
fasteners that aren't available in bulk. Tell your supplier why you are
avoiding over-packaged products. Keep in mind, however, that some
products must be carefully packaged to prevent damage--and resulting
waste.
Equipment
* Install high-efficiency
heating and cooling equipment: Well-designed high-efficiency
furnaces, boilers, and air conditioners (and distribution systems) not
only save the building occupants money, but also produce less pollution
during operation. Install equipment with minimal risk of combustion gas
spillage, such as sealed-combustion appliances.
* Install high-efficiency
lights and appliances: Fluorescent lighting has improved
dramatically in recent years and is now suitable for homes.
High-efficiency appliances offer both economic and environmental
advantages over their conventional counterparts.
* Install water-efficient
equipment: Water-conserving toilets, showerheads, and faucet
aerators not only reduce water use, they also reduce demand on septic
systems or sewage treatment plants. Reducing hot water use also saves
energy.
* Install mechanical
ventilation equipment: Mechanical ventilation is usually
required to ensure safe, healthy indoor air. Heat recovery ventilators
should be considered in cold climates because of energy savings, but
simpler, less expensive exhaust-only ventilation systems are also
adequate.
Job Site & Business
* Protect trees and topsoil
during sitework: Protect trees from damage during construction
by fencing off the "drip line" around them and avoiding major changes
to surface grade.
* Avoid use of pesticides
and other chemicals that may leach into the groundwater: Look
into less toxic termite treatments, and keep exposed frost walls free
from obstructions to discourage insects. When backfilling a foundation
or grading around a house, do not bury any construction debris.
* Minimize job-site waste:
Centralize cutting operations to reduce waste and
simplify sorting. Set up clearly marked bins for different types of
usable waste (wood scraps for kindling, sawdust for compost, etc.).
Find out where different materials can be taken for recycling, and
educate your crew about recycling procedures. Donate salvaged materials
to low-income housing projects, theater groups, etc.
* Make your business
operations more environmentally responsible: Make your office
as energy efficient as possible, purchase energy-efficient vehicles,
arrange carpools to job sites, and schedule site visits and errands to
minimize unnecessary driving. In your office, purchase recycled office
paper and supplies, recycle office paper, use coffee mugs instead of
disposable cups. On the job, recycle beverage containers.
* Make education a part of
your daily practice: Use the design and construction process
to educate clients, employees, subcontractors, and the general public
about environmental impacts of buildings and how these impacts can be
minimized.
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Faswall
System transforms Waste Wood into versatile Building Material
by: Ken Roseboro
A Swiss architect adapted an
effective European building technology to the U.S. and is helping to
solve the growing problem of waste wood. Hans Walter, founder of K-X
Industries, opened a manufacturing facility in Arkansas to transform
waste wood into Faswall®, a durable, energy-efficient,
cost-effective, and environmentally sound building material.
Patented process produces Faswall
blocks Faswall blocks are manufactured at two facilities in Little
Rock. At the 20,000 square foot K-X Aggregate plant, recycled wood
chips are mixed with mineral solutions in a patented process. The
minerals seal the chips to make them resistant to rot, decay and
mildew. Next, Portland cement is mixed with the K-X® Aggregate, and
a casting machine molds the mixture into blocks. The Faswall blocks
cure for three weeks, then the top of the blocks is trimmed for a
precise, smooth edge. The finished Faswall blocks are 16 inches long,
11 1/2 inches wide, and 8 inches high, about the same size as standard
concrete blocks. Because the blocks contain 85% wood fiber, they weigh
less than one-half as much as concrete blocks. They can also be sawed,
nailed, glued, and worked with standard carpenter's tools. To build a
structure, the Faswall blocks are stacked dry without mortar joints to
create a wall. Steel re-bar is set horizontally and vertically within
the stacked blocks and concrete is poured in them. This creates an
interlocking "post and beam" grid effect, which makes the wall
exceptionally strong. Plaster can be applied over a Faswall wallform
and sheetrock can be screwed or nailed to it. On the outside, stucco
adheres to Faswall, while brick, veneer, siding, and drywall can be
anchored to the forms.
Robert LaPorte, owner of Econnest
and timber frame builder in Santa Fe, New Mexico, often uses Faswall
for foundation stem walls on timber frame homes. This takes the footing
out of the ground and above the moisture line. He says the height can
range anywhere from one to eight-feet, depending on snow height and
slope of the ground. LaPorte says Faswall is superior to concrete block
because it is easy to handle, cuts easily, and can be applied directly
to plaster. Also, the blocks are self-insulating. "I really like it,"
LaPorte says. "It is a good environmentally sound product, and it
requires less labor to complete than a finished concrete wall." LaPorte
says Faswall can also be an effective alternative to stress skin panels
as a wall enclosure. LaPorte recommends wrapping a timber frame house
with Faswall, so the timbers aren't visible on the outside. He says
Faswall provides both insulation and mass that stores heat, while
stress skin panels only insulate. A Faswall wall is also more
aesthetic. "You can create deep window wells and window seats," LaPorte
says. "Also a thick wall is very comforting; there's a timeless quality
to it."
Energy-efficient, strong, and
environmentally sound The Faswall building system offers many
advantages for timber framers. Walter says Faswall reduces construction
time by 20% and cost by 5%. A Faswall building can be constructed much
faster because the forms weigh much less than concrete and require no
mortar. A completed Faswall form filled with concrete provides
insulating values from R-18 to 24. A 21,000 square foot Faswall
structure in Iowa City, Iowa, has winter heating bills of about $300
per month, the amount many homeowners pay. Because of its strength, a
Faswall structure can withstand hurricane winds and earthquakes.
Faswall resists rot, mildew, vermin, and has a fire resistance rating
of over 4 hours. Thaw and freeze tests show that Faswall performs
better than concrete because of the capillary action of the wood
fibers. Faswall blocks can be manufactured using existing concrete
block equipment.
Faswall blocks are non-toxic. The
porous composition of the blocks allows a slow interchange of air,
producing a "breathing" wall effect. This prevents heat from escaping
in winter, keeps cool air inside during summer, helps maintain good air
quality, and reduces the possibility of sick building syndrome.
George Swanson, a Texas architect,
has designed some 80 Faswall buildings in Iowa and Texas. These include
40 in the Austin area. He cites the breathable quality of Faswall as a
main benefit. "Many homes and buildings constructed today have poor air
quality because they're sealed so tight," Swanson says. "With Faswall,
the entire wall acts as a fresh air exchanger to create good air
quality and a healthier building."
One of Hans Walter's main goals
was to create a building system that preserves the environment. Faswall
blocks are made of recycled wood, and a Faswall building requires much
less lumber, which helps conserve forests. Faswall also reduces the
burden on landfills. Walter estimates that 9.6 million tons of wood
waste will be created in the U.S. this year and half of it will be
burned, dumped, or buried in landfills. According to Walter, just 1.6
million tons of waste wood could produce enough Faswall blocks to build
nearly 300,000, 1800 square foot homes.
Based on straw and clay technique
Faswall is based on a building technique that has been used in Europe
for hundreds of years, according to George Swanson. The original
technique used a mixture of straw and clay. This evolved into the
wood-concrete wallform system, which has been popular in Europe for the
last 60 years. Hans Walter became an expert in the system and built
homes for over 30 years using the technology.
Walter founded Insul Holz-Beton
International, Inc., in 1987 to introduce the system to the United
States. "Insul Holz-Beton" means insulating wood-concrete in German.
The company is based in Windsor, South Carolina. K-X Industries is a
wholly owned subsidiary of Insul Holz-Beton, International, Inc. It
took Walter six years to develop the K-X process, which he patented in
1992. Insul Holz-Beton licensed the K-X process to a Midwest company in
1994. Since then, Faswall has been used to construct over 300 homes and
a variety of commercial buildings nationwide.
Growing demand seen for Faswall
K-X Industries ships Faswall blocks all over the U.S. from its Little
Rock plants. Hans Walter plans to expand production and is speaking
with concrete block manufacturers nationwide about producing Faswall
blocks. He says this plan will make Faswall available regionally by the
end of 1999. For more information about Faswall, call Insul-Holz Beton
at 800-491-7891.
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Enclosing your
Timber Frame
Attaching the panels to a timber
frame or log home is quite simple...Panels are lifted into place and
attached to the frame by long spikes or screws. Splines are screwed
into spline grooves and the next panel is pushed into place. After the
panels are screwed in, the window and door openings are cut.
Timber Frame Enclosure
By: Butch Johnson
If you are building a timber frame
home or are considering building one, you should consider your choices
for enclosing the frame once it's complete.
A timber frame home makes a
statement about your identity that conventional buildings don't make.
You have opted to spend more per square foot than conventional
construction would have cost. You have decided to make the structure of
your home not only visible, but fully displayed. You have decided to
build one of the strongest, longest-lasting structures that can be
built.
Often, the professional that
erects the timber frame is only interested in getting the frame and the
general contractor is not as familiar with options for the next phase
of construction, enclosure, as you would like him to be. The timbers
that you paid so much for are out in the weather, and panic sets in
about how to get them covered before the sealing process gets too
cumbersome.
There are basically three choices
for enclosure:
- Stick frame
- Wrap and strap
- Panels
Generally contractors will only be
familiar with stick frame as an enclosure option. In stick frame
enclosures, the walls are built as if the timberframe were just another
stud. The walls are built with studs between the posts or bents and the
timberframe holds up the roof. There are three problems with this
method:
- The timberframe has already used enough first
growth timber for one house, studs are excessive, especially since they
are not necessary to hold up the roof
- Conventional construction is energy inefficient
- It takes too long to build the structure twice,
which is what you're doing if you use conventional stick frame for the
enclosure
Many timber framers use a system
called wrap and strap, which is a better system that stick frame in
that it uses less lumber and is more energy efficient, but it is also
time-consuming and costly. Most contractors are not familiar with the
process, so the timber framer must build the wrap and strap enclosure
(usually against his will) and you end up paying artisan wages for
basic construction to get the enclosure built. If rigid foam is not
used as the insulation material, the energy efficiency of the structure
is only slightly better than stick frame and if rigid foam is used,
there are enough gaps between foam and wrap and strap materials to
allow air spaces which can cause problems over time.
More and more timber framers are
recommending the use of enclosure panels to finish the enclosure.
Panels are made by laminating rigid foam to osb and other building
materials to form a sandwich panel. Various panels used are structural
insulated panels (engineered with osb on both sides-when roof or floor
spans are over 12'), stress skin panels (also osb on both sides but not
engineered-for spans up to 12'), osb /gyp panels (spans of 16" to 48"),
and nailbase panels (osb on one side only- used over structural decks
like T&G ceilings) for insulation and a nailing surface. Other
specialty panels are also available. Panels come in sizes from 4' by 8'
by 4" thick up 8' by 24' by 121/4" thick.
Panels have a number of advantages
over other enclosure methods:
- They're faster to install
- They do not use lumber (osb splines are used to
connect them to each other and the structure handles the roof load)
- They're stronger in shear and racking than
stick frame or wrap and strap
- Often panels are less expensive as an enclosure
due to reduced labor
- They are the most-energy efficient alternative
available.
Often energy bills can be reduced
40% or more by switching to panel enclosures. Many homeowners also
report significant noise and draft reduction as well as less heat
convection in panel enclosed home.
Structural Insulated Panels (SIPS)
are an excellent option for hybrid timber frame homes, homes where part
of the structure is timber frame and part is not. Often timber framers
and contractors are unaware of this option, so it may be wise to bring
it up.
There are a number of panel
manufacturers throughout the country. Keywords for your search engine
include Structural Insulted Panels, Stress Skin Panels, and Building.
About the
author: Butch Johnson is the Panel Marketing Director for Perma R
Products in Johnson City, Tennessee. He is an avowed "Panelhead" and
enthusiastically endorses stress skin and structural insulated panels
in residential construction.
Structural Insulated Panels
(SIPs)
Structural Insulated Panels (SIPs)
are made of Expanded Polystyrene (EPS), or urethane, foam sandwiched
between exterior layers of Oriented Strand Board (OSB), plywood, or
other structural material, and adhered under pressure with a structural
adhesive. The panels are engineered for construction use and come in
sizes ranging from 4' by 8' by 4" thick to 8' by 24' by 12" thick.
Their strength is based upon the same physics principles as the "I"
Beam and they can be used to build walls, roofs, and floors
significantly stronger than conventional construction techniques. They
also have better insulation per inch of thickness than Fiberglass and
better insulation at lower temperatures and higher humidity than
Fiberglass for decreased energy usage for heating. As a result, the U.S
Department of Energy and Environmental Protection Agency (see EPA/DOE
Energy Star program) are both proponents of the use of SIPs in
construction.
SIPs offer a superior alternative
to stick-framing or concrete block structures because they provide for
more strength and flexibility and are more energy efficient. SIPs also
reduce construction time and costs since they can be assembled easily
and quickly. In this discussion structural insulated building panels
may also be referred to as SIPS, building panels, or sandwich panels.
The panels are used in residential
and commercial buildings for walls, floors and roofs, and they come in
a variety of thicknesses, widths and lengths. The two continuous
structural faces provide the panels with the necessary strength to take
axial loads, out-of-plane bending, shear loads, and in-plane shear
loads. Typical roof spans are in the 12' to 22' range (depending upon
osb and foam thickness) and floor spans are in the 8' to 16' range.
Panels are fastened together with
wood or osb splines and zinc galvanized screws or ring shank spikes.
Dimensional lumber (2 x) is used for top and bottom plates and for
headers and sills. Panels are typically rated as header material up to
4'. Once a foundation is completed, a panelized shell structure can be
completed in a matter of days. One erection contractor quotes 3 days of
erection time per 1,000 square feet of building. Because panels can be
assembled easily and quickly, less material is wasted, and construction
costs are lowered. A typical 1,600 square foot home takes three to five
days to assemble, including floor, walls, and roof.
Furthermore, panels can be
manufactured with exterior sidings such as T1-11 structurally bonded to
the foam core. This means it is not necessary to side the building,
thus saving time and money. Additionally, since the insulation is
bonded to the sheathing there is no shrinkage of materials saving time
and money. Testing is underway to allow a structural gypsum product as
cladding for one side, which would create a nearly finished panel.
SIPs utilize a thick core of
Expanded Polystyrene (EPS) which creates high R-Values and low U-Values
(R-Value = measure of the resistance of a building component to the
passage of heat. U-Value = the coefficient of heat transfer). Foam
construction eliminates the voids common with Fiberglass insulation.
For these reasons, air temperature and quality are easily controlled,
which allows heating and air conditioning costs to be drastically
reduced. Audits have proven that money is saved year after year in
these super-insulated, airtight structures. EPS is also recyclable,
where most other foams and insulation products are not.
It is also important to note that
the skins of SIPs are made of Oriented Strand Board (OSB), which is
made with new growth "junk" wood (Aspen, jack pine, etc.) which can be
regenerated in five to ten years rather than old growth lumber such as
redwood, ponderosa pine or yellow pine, which are necessary in
stick-frame construction. The panels use one-fourth as much wood as
stick-framing methods. The EPS is manufactured without the use or
production of CFCs or HCFCs. Since the insulation is bonded to the
sheathing there is no shrinkage of materials saving time and money.
Buildings using SIPs are stronger
than traditionally built structures. They can withstand winds in excess
of 160 mph, ground movement, seismic torsional forces, freeze and thaw
movement, and seismic class 4 standards. Residents report less creaking
and overall noises associated with standard systems, as well as reduced
draftiness, and reduction of sound transmission through the walls.
Molds, mildews, and dust are reduced. Typical maintenance, such as
painting and roof repairs decrease due to reduced thermal joint
expansion.
Panel buildings are more fire
resistant than stick-frame buildings because there are no air cavities
in the walls to create a "chimney effect." The UBC-17-5 (15 minute)
corner burn test has been passed by most manufacturers, and this is an
industry standard.
The highly streamlined on-site
construction process allows flexibility to build in any area in any
season, compared to other construction techniques which are
weather-sensitive. Panels are particularly economical for simple
residential and commercial building designs. Walls are more stable than
stick-frame construction.
The technology for structural
insulated building panels has developed over the last 50 years. Recent
political and economic issues have caused panel systems to become
competitive with traditional construction methods. Specifically, rising
lumber prices, and the fluctuating quality and availability of lumber
has increased the economic advantage of panelized structures. In
addition, as energy costs rise, state and federal agencies are raising
the minimum standards for energy efficient structures. These trends
will continue to increase the economic attraction of panel systems, for
these panels produce well-built, strong buildings that can be
constructed quickly, easily, and cost effectively. Production of osb is
expected to increase to 18 - 20 times it's current production level,
and prices are expected to fall by as much as 50%. This could reduce
panel prices by as much as 20% over the next two years.
Panel shipping is only economical
within a 300- 500 mile radius, although due to limited manufacturing
production availability most manufacturers indicate that 30% or more of
their business is shipped 1,000 or more miles away.
Structural panels typically bear a
stamp indicating compliance with building standards and requirements.
This stamp is authorized by a licensed structural engineer and will be
backed up by regular third party inspections and in random factory
testing. Plans of projects are usually stamped by a licensed structural
engineer showing that the type and size of panels, their placement and
layout, the size and location of beams, foundations and all other
structural components are done pursuant to local building codes and
standards.
The industry trade association is
the Structural Insulated Panel Association at 1511 K Street NW,
Washington, DC 20005 (202) 347-7800 or by e-mail at sipa@aecnet.com. If
you would like more information, my name is Butch Johnson, and I can be
reached at (800) 251-7532 or by e-mail at sip@xtn.net. My company,
Perma R Products, Inc. is located in Johnson City, Tennessee. Please
visit the Perma "R" Products, Inc. web page at www.sipsproducts.com for
pictures and construction details. SIPA has a web page at
www.natraweb.com/keeper/sipa/. I will gladly share information
regarding Structural Insulated Panels and sources throughout the U.S
and Canada.
Alternative to Stress Skin
Panels (Studded Walls)
Although timber frame enclosure
with stress skin panels is very popular, there is also the alternative
of building a studded wall on the exterior of the timber frame
structure. This is a favorable choice if you are constructing your
timber frame home on a tight budget, have access to inexpensive lumber
or own a sawmill.
Constructing a studded wall on the
exterior of your timber frame building should be done using 2 x 6 studs
in the same manner that a conventional wall is built. There is one
difference, however. That is the wall is not a load bearing (i.e.
weight bearing) wall. The exterior structure need only support the
siding, interior wall and windows.
After completing your studded wall
system, you may proceed with the plumbing, electrical work, insulation,
siding, etc. in the same way a traditional home is done.
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Strawbale:
Then and Now
by Mitchel Sorin, A. I. A.
Historically, cultures around the
globe have used natural and indigenous materials such as grass, mud,
bamboo, and among others, yes, STRAW, to build durable, comfortable,
inspiring shelters that have stood and continue to stand as testimony
to the virtues of these materials and way of building. We look at these
simple, yet elegant structures and feel something we cannot name: we
feel a link to our ancestral past that stirs our consciousness and a
sense of being that feels so real, yet remains elusive and mysterious.
Why are we so moved? What is it about these structures that touches us
so and why is this something to consider in today's culture?
Today, there is a growing need to
find meaningful ways to re-connect and live in harmony with nature,
rather than continue to resist its elemental forces. This is how our
ancestors lived and it reveals one aspect of our human nature--that is,
our desire to feel a sense of belonging to the world in which we live.
How invigorating it is to our well-being when we go to nature to renew
our sense of spirit. This is a familiar experience for most of us. And
when we build with straw, a natural material of the earth, and surround
ourselves in shelter made with this vital, living material, we can
experience a similar sense of renewal. Through the memories and the
inner psychic connections we form about this material within our
consciousness, this material takes on a life and spirit of its own, a
symbolic meaning, and it is this meaning and spirit that stirs our soul
and reminds us of our essence and of our intrinsic link to nature.
In addition, not only do the
inherent, natural qualities of the material contribute to our sense of
connection and belonging, but in building with straw, we also have an
opportunity to mold the material with our own hands--to embed textures,
shapes, colors, and the feelings we hold in our consciousness into the
forms we create, as our ancestral builders did, conveying a sense of
our own individuality and expression in context with the larger natural
order. And with our hands, we come to know the physical potential and
limitations of the material as we learn what the straw will do and not
do for us. Through these experiences we are reminded of the inherent
forces and qualities of nature that we must continuously adapt to and
harmonize with in order to sustain our spirit and the web of life.
Thus, in some small way, building with straw is a means to rekindle
that sense our ancestors knew long ago--an intuitive and innate sense
we know about, but have nearly forgotten through the ages: that is, to
build in harmony with our land and our surroundings with elements of
nature and to impart a piece of who we are in the process gives meaning
to our shelters and dwellings and a profound meaning to our lives.
Building with straw presents an opportunity to build in a way that
inspires us, touches our human spirit, and sustains our physical,
emotional and spiritual well-being. For this reason alone, building
with straw represents a great opportunity that we should never lose
sight of.
How to Use It:
Simply put, stack them up like big
blocks and pin them together and you have a wall. Well, there's a
little bit more involved than that, but basically, there are two
methods for using straw bales.
- Nebraska Style: where the straw bales
are used as a structural, load-bearing wall and designed to take the
structural loading of the roof as well as resist the lateral wind loads
exerted on the wall without any other means of structural support or
framing other than the straw wall.
- Infill Style: where the straw bales
are used as non-structural, non load-bearing infill walls in
conjunction with a separate structural framework, typically of wood,
such as timber frame or post and beam construction.
Why Use Straw?
- Energy efficiency: a typical straw
bale wall will provide approximately R-40 thermal insulation value.
- Affordability: costs per bale per
region vary. In Western North Carolina the cost seems to be in the
range of $3-$3.50 per bale. (Check your region for local costs)
- Environmental: building with straw recycles an unwanted
waste product that is usually burned off in the fields.
- Simple to work with: no special skills are
required; however, it is generally advisable to have someone in the
construction crew that is familiar with construction techniques to
oversee and instruct the work crew.
- Empowering: building with straw allows
one to reconnect with the building process, build their own shelter,
and rekindle our sense of how to build in harmony with our environment
thatgives meaning to our structures and inspires the human spirit.
- Builds community: when a group comes
together to erect a straw bale wall, it is a powerful and profound
experience that inspires and strengthens our sense of belonging.
- Sustainability: straw is a natural
product that replenishes quite rapidly and can continually replace
itself in the market place.
- Strength and durability: initial
testing for compression and lateral loading indicates straw bale walls
to be quite strong and elastic, allowing the wall to return to its
original shape under temporary loading.
- Fire resistance: initial testing
indicates straw bale walls, once plastered, provide better fire
resistance than conventional wood stud wall construction due to
elimination of typical air space that allows greater opportunity for
combustion to occur.
- Seismic resistance: the flexibility
and strength of straw bale walls appear to be excellent qualities for
seismic design.
- Indoor air quality: straw bales
inherently let walls "breathe," allowing natural outside air exchanges,
reducing tendencies for "sick" building syndrome.
Making Shelter (in spite of the
three little pigs)
Recently, there has been a revival
in straw bale building--a revival that has espoused the significant
virtues of building with straw, whether it be its environmental
qualities, energy efficiency, sustainability, or host of others. All of
these qualities are significant and noble aspects in their own right,
but let's not lose sight of the very real intrinsic quality that I
believe draws most of us to straw bale building--that it touches our
soul and ignites our human spirit, giving meaning to our lives by
allowing our humanity to flourish in the process. Christopher Alexander
in his book, A Timeless Way of Building, puts it so eloquently: "There
is one timeless way of building. It is thousands of years old, and the
same today as it has always been . . . it is a process which allows the
life inside a person, or a family, or town, to flourish . . so vividly
that it gives birth, of its own accord, to the natural order which is
needed to sustain this life." Building with straw is one of these ways,
so appropriate today as it was centuries ago to nurture our well-being
and sustain the human spirit! This alone is reason enough to continue
to build with straw, then as well as now, in spite of the three little
pigs!
Mitchel Soren is an architect
who lives in Whittier North Carolina and has been involved in several
straw bale projects.
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Agriboard
Panels: A Stress Skin Made of Straw
By: Ken Roseboro
America's amber waves of grain may
provide the answer to timber framers' need for a natural, non-toxic
stress skin panel. Beginning January 1997, Agriboard Industries, based
in Electra, Texas, will manufacture structural insulated panels from
agricultural byproducts, such as wheat straw. Agriboard®, the core
material of the panels, offers exceptional strength, resists fire,
reduces noise, cuts utility bills, costs less than on-site wood frame
construction, and helps farmers and the environment.
Intense heat and pressure compress
straw into board. Agriboard will be manufactured in a 240-foot long
linear extrusion mill, the first mill in the world to produce a 3
1/2-inch thick panel. The mill separates the straw into loose fibers,
compresses it under intense 300-degree heat, and fuses it into solid
4-foot wide by 3 1/2-inch thick fiberboard. The mill uses only heat and
pressure without chemical binders or toxic substances. The fiberboard
is then wrapped in heavy duty Kraft paper and cut to pre-determined
lengths. Two fiberboard panels are laminated between 7/16-inch oriented
strand board (OSB) to form the Agriboard stress skin panel.
The lamination process protects
the fiberboard panel from moisture and the elements when used as an
exterior wall system. Vulnerability to moisture was a major drawback to
an earlier generation of compressed straw panels. The finished
Agriboard panels vary in thickness, depending on the application.
Floor, wall, and roof panels will be manufactured in sizes up to nine
feet wide, 16 feet long, and eight inches thick. Interior partition
panels are made with a single thickness of Agriboard. Interior and
exterior finishes such as sheetrock, paneling, brick, and siding can be
applied directly to the panels.
Energy-efficient, fire resistant,
and strong, agricultural fiber is a natural insulator, comparable in
performance to the best insulation materials. Agriboard panels'
insulation quality has been tested and rated at R-28.4 for walls and
R-39.6 for roof assemblies, which means lower utility bills.
Agriboard's high thermal massing provides additional energy efficiency
to maintain a more even temperature in houses.
The panels also offer up to a
two-hour fire resistance rating. An Agriboard panel resists combustion
because of its dense, highly compressed cereal fiber core. When the
face of the Agriboard core is exposed to an intense flame, it will char
and then self-extinguish.
According to research conducted by
the National Association of Home Builders and other groups, the
Agriboard panel is stronger and quieter than other panelized housing
products. Structural tests have shown Agriboard panels to be two to
three times stronger than wood frame construction.
Agriboard benefits the environment
and farmers. The panels are made from a renewable, non-toxic
agricultural byproduct, thus reducing the need for wood and helping to
save forests. Farmers will benefit from the sale of agricultural
byproducts they usually discard, including wheat and rice, straw and
switch grass. Agriboard Industries estimates it will provide an extra
$6 million dollars to Southwest farmers over the next 10 years. This
agricultural benefit led the U. S. Department of Agriculture's
Alternative Agriculture Research and Commercialization Center to invest
$850,000 in Agriboard Industries.
Ken Roseboro is a business
writer based in Iowa.
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Specialized Tools
Prazi ™ USA
Prazi U.S.A.
is a small tool manufacturer, located in Plymouth, Massachusetts, about
5 miles from the Plymouth Rock, where the Pilgrims first settled in
America.The tradesmen of the 20th Century are equipped with the most
modern of tools, yet many jobs are still performed in the same manner
as they were over 200 years ago.
We believe
that in today's work place the tradesmen or Do-It-Yourselfer should be
equipped with the most "labor and time saving" tools available. The
following pages will allow you to review many of PraziTM. U.S.A. "labor
and time saving" tools and see why Prazi products have been awarded
many of the industry's top innovative awards.
Prazi ™ USA
Monday - Friday
1-800-262-0211 or 1-508-747-1490
FAX: 1-508-746-8655
for information and/or questions, prazi@praziusa.com
Barn Masters, Inc. - your Makita
specialty timber framing tool source!
We have been designing and
building timber frame structures since 1971. We started using these
tools to help create our timber frame structures in 1985 and have been
distributing them since then as well. Our crew has extensive experience
with these tools from planing rough sawn timbers to cutting compound
angle mortises and tenons. These Makita tools have revolutionized the
way we have built our fine homes and barns by dramatically reducing the
amount of time required for us to perform those "by-hand" cutting and
drilling tasks that make timber frames a beautiful work of art.
In addition to having these tools
ready for immediate delivery, we also stock replacement parts and
accessory bits and blades for your convenience. One of the major
advantages of purchasing these tools through Barn Masters, Inc. is the
ability to consult with our knowledgeable staff about specific
questions you may have regarding the use of these tools.
Barn Masters, Inc. is also a
supporter of The Timber Framers Guild of North America. We have
displayed these tools at numerous TFG conferences and, whenever
possible, donated one of these tools at the conference auction to go
towards the fund raising efforts of the Guild. We continue to feel
strongly that the Timber Framers Guild of North America is an
invaluable source of information and inspiration for timber framers and
their projects throughout the world.
We are confident that you will be
pleased with the value and operation of these tools. You will also be
very satisfied with the time saved and consistent cutting these tools
provide.
Please feel free to contact us via
our email address on our web site if you have any questions after you
review our tool information.
Good luck with your project!
Barn Masters, Inc.
P.O. Box 258
Freeport, ME 04032
(207) 865-4169
(207) 865-6169 (fax)
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Finding A
Timber Framer
Choosing a Timberframing Company
When selecting a company to timber
frame your home, consider price, distance from your location and the
type of work the timberframe company chooses to do (i.e. high end or
low end). The best of professional craftsmen offer extremely precise
work with companies such as Upper Loft or Thistlewood. Apprentice-built
timber frames are available at a reasonable cost from Cowee Mountain
Timber Frames.
Of course, there will be a great
deal of difference in price between the top companies and the
apprentice-built frames.
Another major factor in choosing a
company is the distance the frame must be shipped. Trucks charge from
1.50 to 2.00 per mile. You will also have to pay the expenses for the
crew to come to your site. As this can become very expensive, it is
wise to consider an apprentice-built frame as the price may compensate
for such costs.
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General
Timberframing Information
Sources for Traditional Products
& Services:
Traditional
Building:
"The Professional's Source for Historical Products"
"Traditional Building" is a highly
specialized, national trade publication and Website. The Magazine
reaches 54,600 architects, contractors, designers, and other building
and landscape professionals who specify traditional products. The
Magazine's editorial content is devoted to historical products: Where
to find them, how to evaluate them, and how to use and install them.
Published bimonthly, "Traditional Building" is for professionals
involved with both restoration and new-construction projects.
"Traditional
Building" has operated its Website since October 1995. Links and
product information on more than 300 suppliers are currently indexed on
the site. As a result, it has become the portal to traditional-product
suppliers on the Web -- the place where building professionals begin
their search for products and services for restoration, renovation, and
new construction. By mid-1998, the site was attracting over 140,000
hits per month.
Traditional Building Magazine
69A Seventh Avenue,
Brooklyn, NY 11217
Phone (718) 636-0788 Fax
(718) 636-0750
www.traditional-building.com
E-mail htcstaff@traditional-building.com
Transparent
Dreams Stained Glass Studio
-
A home is a home is a
home. It doesn't matter whether it's a ranch style, an urban condo, a
stately Southern mansion, or a rustic log home... it's still your home,
and you still want it to have all of the charm and elegance that makes
it the home that you'll be glad to come back to again and again.
Stained glass and beveled glass are popular options that people use to
create that perfect atmosphere, both for themselves and to impress or
make a articular statement to visitors. As a long-time stained and
beveled glass artist, I think any home can be enriched by these
wonderful architectural art forms, and log homes are no exception!
Those who might downplay
the idea of stained or beveled glass in a log home are thinking in too
limited a fashion. They probably have one or more preconceived notions
about these forms of artistic glass that, in their opinions, wouldn't
seem appropriate for a log home. I hope to dispel some of those notions
here, and allow you, the log home owner, to feel more confident about
considering this form of art glass, and its place in your new or
existing log home.
Probably the most common
misconception is that log homes and art glass don't go together because
stained and beveled glass windows, doors, cabinet inserts, lamps, etc.
are too elegant to compliment the rustic style of a log home. This is,
of course, complete nonsense. Log homes have come a long way from the
rustic, one or two-roomed dwellings that most people think of when they
think of log homes. Today, log homes span the gamut from small,
unpretentious dwellings to massive, architectural masterpieces
encompassing as many types of floor plans as we see in other
contemporary homes constructed with conventional or unconventional
materials.
In recent years, log homes
have even been impressive enough to have been featured in most of the
fine homebuilding magazines. To say that log homes are too rustic to
include certain amenities, including stained or beveled glass, is to
think of log homes in a stereotyped way that has long since been
outdated. Log homes are capable of being as impressive and elegant as
any other type of contemporary home, so why shouldn't an architectural
art form such as stained or beveled glass be considered? The truth is
that no matter how elegant or rustic a log home is, an art form such as
stained or beveled glass can be designed to fit in with the
environment. Artistic glass can be designed to be elegant or rustic or
anything in between! The limitations are only in the imaginations of
the consumer and the glass artist chosen to design and create the
artistic glass project.
Another widespread
misconception is that stained and beveled glass has to cost an arm and
a leg. This, too, is utter nonsense! Sure, intricate designs in stained
or beveled glass windows can cost a lot, but an experienced glass
artist (such as myself) should be able to offer many reasonably-priced
designs that are original, well-crafted, and able to satisfy the needs
(privacy, light reduction, etc.) and desires of the consumer.
A visit to my web site
will not only inspire and amaze, it will convince you that this
wonderful art form can be tailored to fit any environment... even a
contemporary log home! My site also contains a lot of information on
how to recognize good craftsmanship from bad in stained and beveled
glass (it is unfortunate but there are many poor craftspeople
masquerading as professional stained glass artists) and the major
issues to consider before and during the process of commissioning an
artwork in stained glass or beveled glass. Whether you end up
commissioning me or another glass artist, my "Craftsmanship" and my
"Commission Process" pages are, by themselves, worth a visit to my
site.
Well... there you are!
Don't be dissuaded by any designer or builder from considering the
appropriateness of any amenity in your new or existing log home. As I
have told my clients many times, "I'm going to go back home and you're
going to stay here.... so who am I to tell you what your home
(...office, commercial environment, place of worship, etc.) should look
like. My job is to advise, to design and create according to your
wishes, and to keep you from making any obvious mistakes. Other than
that, it's completely up to you!"
5082 E. Hampden Ave. #250
Denver CO 80222
voice: (303) 758-6059
fax: (303) 757-6734
email: stine2@diac.com
internet: http://www.diac.com/~stine/page0.htm
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Decorating
with Quilts
by Martine Caillon-House
There are few things
more beautiful than the wooden structure of a timberframe house. The
sturdy beams bring a sense of comfort and security as well as esthetic
to your home. What better complements that feeling of comfort than
quilts or quilted objects placed here and there? Whether the quilts are
spread on a bed or the back of a couch, folded on a rack or just hung
on the wall, they will contribute greatly to make your home a special
place.
The great room of your
timberframe house is where the beam structure is likely to be apparent
and where you will have lots of decorating space. Although you probably
won't have a bed in that room to spread a quilt on, there are still
many ways you can use quilts as decorating accents.
Fold a quilt on the back
of your couch. You can see the colors, feel the softness of the fabric
and when you sit down at the end of a long day, the quilt is right
there to wrap yourself. Choose a new quilt rather than an antique one
for this purpose. Handling and folding will damage the aged fabrics of
an old quilt. However, if you like the look of an antique quilt, you
can find reproductions from many different periods and styles on the
market. You are sure to find one that will complement the style of your
decor.
You can also put a quilt
rack at a strategic place in the room so that the quilt folded on it
will be well in sight. You can display an older quilt this way because
it will be less handled that on the back of a sofa. However, just
remember every few months to unfold it, and refold it in a different
way. There are three reasons for that:
- The exposed area of the quilt is more
likely to get a little dirty, from dust, pets and just the loving touch
of passing hands.
- Unfortunately, there is no way to
avoid fading. Even it the quilt is not exposed directly to bright
light, some fading will occur. Periodically refolding it will avoid one
area to become more faded than the others.
- If you keep your quilt always folded
in the same way, the creases will become permanent and if the quilt is
already old and fragile, the creases might cause the fabric to break.
Refolding will take care of that problem and prolong the life of your
treasure.
Apart from spreading it
on a bed, the best way to enjoy a quilt in all its beauty is to hang it
on the wall. It becomes the focal point of your room, adds its color
and warmth to your decor and gives your home an incredible sense of
comfort. Because of the height of your ceiling and the size of the
room, you have the possibility to display very large quilts. The best
way to avoid putting irregular stress on the fabric and causing damage
is to put a sleeve on the back of the quilt and thread it through a
rod. You can decide to have an apparent rod and in that case choose the
style of rod that complements your decor or leave the rod out of sight.
Here is how you put a
sleeve on the back of your quilt:
- Decide how your quilt is going to
hang, the long side up and down, or the long side parallel to your
floor (this depends on the size of your quilt and the place you want to
put it in the room). Most commonly, quilts hang the way they would be
on a bed, long side up and down.
- Measure the side that will be on the
rod, from edge to edge. Let's take 85" as an example. Purchase a 1/4
yard of muslin or any other fabric that will be 85" wide (you can find
muslin 90" wide. Most other fabric will be 45" or 60". Then buy two 1/4
yard pieces and sew the short sides together to get the needed length).
If your quilt is going to be hanging from the ceiling or away from the
wall and be visible from both sides, you will want to make your sleeve
out of a fabric that will match or complement the fabric on the back of
the quilt, so that it is not too obvious.
- If the rod is to be apparent, measure
the long side of the sleeve to be the same plus 1" than the side of
your quilt. Here 86" (85" +1"). Turn under 1/4 twice at each end and
top stitch. If the rod is to be hidden, measure the sleeve so that it
is approximately 3" shorter than the side of your quilt. In our
example, 82". Turn under the ends in the same way as above which will
leave you approximately 81".
- Fold the fabric lengthwise, right
sides together and sew. You will have a tube of fabric. Turn it right
side out and the sleeve is ready to be attached to the quilt.
- Place the sleeve just underneath the
binding, positioning it so that the center of the sleeve matches the
center of the side of the quilt and whipstitch both long sides,
catching the backing fabric and the batting but not going all the way
through to the front. When you are done, your quilt is ready to be
hung. Just thread the rod through the sleeve, hang it and enjoy.
Quilts will give you
many, many years of pleasure and make your house a cozy and comfortable
place to be. The style of a timberframe house will let you decorate in
a traditional way or with a "country" look or lets you use very
contemporary art pieces. This will be true for the quilts you use; they
can be very traditional bed quilts or modern pieces of fiber art. No
matter what you choose, there are a few things that will help you keep
them longer: - make sure your quilts are displayed away from any direct
sunlight. Quilts will fade, no matter what but you can slow down the
process by avoiding direct sunlight. A north wall is a perfect
location. You can also help by refolding your quilt periodically.
- If you own several quilts, change
your displays every few months. Take some down and replace them with
others. The ones you are not displaying should be carefully folded and
stored in a clean pillow case, never in a plastic bag which promotes
humidity and mildew as well as parasites.
- It is a lot of work to wash a quilt
without damaging it. So, unless your quilt is very stained, a gentle
vacuuming through a clean sheet or cheese cloth will remove the dust
and give it a cleaner look.
For more information
about contemporary fiber artist Martine Caillon-House, contact Housefiber@aol.com
Wood-Mizer
News: "Building a School"
By Steve Smith
In 1994, I bought
a Wood-Mizer sawmill to begin the process of building a large post and
beam house on my family land in the mountain wilderness of North
Carolina. I had explored many work situations from teaching to
construction, and while all of these trades had taught me valuable
lessons, I had not yet found the job that I liked well enough to
dedicate myself to it long term. After setting up the sawmill, I began
cutting poplar logs that were being harvested from the mountain. It was
no time before other people saw what I was doing and began asking me to
do custom cutting for them. As I continued to work on my home, this
custom work grew into a part-time job. I alternately spent two weeks
doing custom work and two weeks constructing my home. It was wonderful
to have the freedom to schedule and plan at my convenience and not
someone else's.
This part-time
custom work continued for two years and soon led to another lucrative
part-time business. As the shell of my home took shape, a friend of
mine came to see the progress. He was a developer in the Cayman Islands
and was building a timber frame house there. After seeing the quality
of the lumber I was producing with the Wood-Mizer and the project I was
building, he suggested that I take a timber framing class and spend the
winter with him in the Caymans helping to build his house. It was a
golden opportunity, so I attended a timber framing workshop at the
Upper Loft in northern Georgia and discovered that I loved the timber
framing craft. When I returned from the Cayman Islands timber framing
project, I eagerly launched my own part-time timber framing business.
My experience with
the sawmill proved to be excellent training for the timber framing
craft. I had gained the knowledge needed for grading lumber and cutting
logs, woods, and beams. The precision cuts of the Wood-Mizer prepared
the timbers for the exactness required for mortise and tenon joinery.
As we moved more into timber framing, we were able to keep our sawmill
busy cutting timbers. This worked out great because we could run the
sawmill on sunny days and do timber framing on rainy days. Our focus is
on traditional methods and craftsmanship. Unlike most crafts, timber
framing can generate a substantial income.
As time passed,
our business, Cowee Mountain Timber Framers, became quite successful,
and we started a timber framing school to complement our efforts. My
background in construction and teaching had finally dove-tailed. In the
school, we teach basic timber framing techniques within a one-week
workshop and focus on three main skills: layout, cutting techniques,
and trial assemblies of bents and cross-sections of the frame. Students
use some power tools, but the main emphasis of the workshop is on
proper use of hand tools--mainly chisels and mallets--and extensive
hands-on experience. There are two 20-minute question-and-answer
sessions each day that include discussions of different aspects of
basic timber framing. Student bring their own 25-foot tape measure,
carpenter's pencil, carpenter's square, 1.5-inch framing chisel, and
wooden mallet. They leave with knowledge, hands-on experience, and a
love of the craft. Dedicated apprentices who expend enough time and
energy leave with the expertise to start their own businesses.
Students travel to
our school from as far away as England and Canada, and they come for
various reasons. Some want to become informed buyers of a timber frame
home; others want to learn the skills to cut their own timber frame. A
few want to investigate timber framing as a career. Many arrive with
doubts about their ability to be good at timber framing. But after
spending some time at the workshop, they find that if they take their
time and work deliberately, they can be successful at building the
timber frame home of their dreams. Basically, timber framing requires
an engineer's brain and a mule's back.
Timber framing
school is an investment in some of your time, a little of your money,
and a lot of your sweat. The only monetary cost to the student is a
$200 registration fee. Our payment is the students' labor. As one of
very few timber frame schools, we offer year-round workshops and
apprenticeships. We also conduct winter workshops in a heated facility.
While a week-long workshop gives students an overview of basic timber
framing techniques, more in-depth experience is gained through the
apprenticeship program. Many times the apprentices have the opportunity
to participate in raisings or to be involved in applying stress skin
panels (insulation panels attached to the outside of a finished frame).
Timber framing is
an easy business to start because there is a huge demand for timber
frames and few businesses to build them. Almost every timber frame
business is backed up six months to a year. Timber framing is more
prevalent in the Northeast but is becoming quite popular in the
Southeast
I feel fortunate
to have discovered the opportunities presented by the Wood-Mizer
sawmill. Purchasing the mill was the beginning of a way to create not
only an income but a flexible lifestyle that I love. I can blend my
interests in quality construction and teaching, schedule time to
travel, and at the same time give something back to the community in
the way of jobs. It has also been rewarding to work with many
Wood-Mizer owners, helping them find a new and rewarding part-time
career to complement their sawmill businesses.
Steve Smith is
owner of Cowee Mountain Timber Framers, nestled in the heart of the
Great Smoky Mountains. For more information, call (828) 369-8186, or
check out timberframingmagazine.com.
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Traditional Building Magazine
by James R. Marshall
Timber
framing is an ancient art in human habitation; it's also a modern
technique that can lend special qualities to today's buildings. Timber
framers are specialists whose knowledge and experience can spell the
difference between disaster and a highly pleasing building outcome - if
architects and their clients make proper use of them.
For
this article, we spoke to several noted timber framers and asked them
for their suggestions on how best to make the architect-client-timber
framer triangle work. They all answered in chorus: "Call us often, but
make sure to call us early!" In other words, if you want to take
advantage of the special skills these folks have to offer, bring them
into the design process early -- at the conceptual stage, before you're
committed to a design that just doesn't make the best use of timber
framing's strengths and aesthetics.
Tom Harris,
president of Architectural Timber & Millwork of Hadley, Mass., says
his firm works closely and frequently with architects. "It's important
to bring us in at as early a stage as possible," he says. "That way we
can familiarize the architect with the special considerations needed to
make a timber-frame design that is engineerable and meets codes. But we
look to the architect for the aesthetics of the project - the species
of wood, sizes and surface treatments, and whether to use new or
recycled woods."
All the projects
that Harris' firm works on are custom jobs, and the firm handles all
the engineering itself. Harris' company will propose materials and
layout and will draw on its historical knowledge of timber framing and
the appropriate loads and spacing. "The main reason to use a timber
framer is his design ability," Harris maintains. Some architects are
quite sophisticated about timber framing, he finds, and become more so
by working with a good timber framer.
Architectural Timber
& Millwork does residential and commercial projects, including some
historical reproductions, primarily in the Northeast. "We're oddballs,"
says Harris. "We'll tackle anything." He cites a current project to
build an Adirondack-type lodge that features 20-in. cedar columns, bark
still on, which "had to be handled like eggs, packed in hay to prevent
damage to the bark surface." The firm often works with recycled woods,
usually beams from old factories, for floor planking or timber frames.
But when these old beams are cut, the fresh surfaces must be treated to
look old - "we antique the antique," says Harris, by means of
hand-planing and/or fuming.
Steve Smith, of
Cowee Mountain Timber Framing in Franklin, N.C., says there are two
ways to start a timber-frame structure - with the frame itself, or with
the architectural concept. But, to avoid conflict between these two,
Smith urges that the architect and framer work together from the
beginning (a state of affairs, he laments, which is all too rare) --
otherwise, an architect can invest a tremendous amount of effort in a
concept that may have to be started anew when the realities of timber
framing intrude. "The architect is thinking about what the building is
going to look like," Smith says. "He's good on the spatial concept and
the design. I worry about the structure. If we don't get everybody
involved as quickly as possible, you'll end up paying twice as much."
Cowee Mountain does
mostly residential work and concentrates on what Smith calls the
simpler or "lower end" of the timber-frame market. The firm has a
workshop and apprenticeship program and works with Job Corps' Carpentry
Program. This means that their prices are lower and that their
buildings tend to be rustic style, built mainly in North Carolina and
its surrounding states. But you can still build an interesting
structure with a simple timber frame, using standard 24- or 28-ft.
bents, if you apply some creative architecture, Smith points out.
Cowee's favorite material is the white pine so common in the Smokey
Mountains, along with some oak; the firm works only with new wood, not
recycled. ("I don't like the splinters," Smith observes.) The firm's
contracts cover just the shop work, although Smith himself will provide
job-site assistance at an hourly rate.
Robert Shortridge,
president of Dreaming Creek Timber Frame Homes, Inc., of Powhatan, Va.,
welcomes the chance to work with architects. "They have the inherent
knowledge of design and engineering - we know the details of timber
framing," Shortridge says. Like his colleagues, Shortridge urges early
involvement of the timber framer. "If it's already committed to
drawings," he says, "we can't do value engineering; for instance,
mistakes like specifying 10-1/2-ft. bay spacing, when we have to work
with 12-ft. timbers, can be avoided."
Shortridge believes
the main attraction of timber framing, besides aesthetics, is its
structural strength, particularly in extreme weather conditions like
heavy snow or wind. Dreaming Creek has provided framing for commercial
structures on the Florida coast for a Class 3 wind exposure, and in
Utah for snow loads of 320 psi. Dreaming Creek owns its own sawmill,
and can cut up to 45-ft. lengths of timber, as well as flooring,
decking, and trim. The firm favors Southern yellow pine, as well as
white oak and Douglas fir, but can work in cedar, cypress, walnut,
cherry, and other woods indigenous to Virginia.
Another advantage to
timber framing, Shortridge points out, is that "we can come in with 40%
of the project already done, which is great in a place like Florida
where the economy is bursting at the seams and local labor is short."
Shortridge describes Dreaming Creek as "fearless. We'll take on
anything," he says, citing a 20,000-sq.ft. home, 2,000 miles from their
mill, on a dead-end mountain road in Utah" - on schedule, on budget, no
change orders." The company has also been active in historical
restorations and recreations; for example, they have supplied white oak
timbers for the restoration of Poplar Forest, Thomas Jefferson's
weekend and vacation home in Lynchburg, Va. Another historical project
is a reproduction of a 16th century European windmill for
The Mid-America Windmill Museum in Indiana. The whole structure pivots
on a 28-in.-x-33-in.-x-20-ft. center post. In Utah, the Dreaming Creek
crew is duplicating an old-fashioned church raising, where 150-200
people will pitch in to hand-raise one of eight 40-ft. clearspan
hammerbeam bents.
Richard Neroni,
president of Timberpeg Design, West Lebanon, N.H., believes the
conceptual drawing stage is the best time for the architect to come to
the timber framer. "Then we can discuss both the framing and the
aesthetics." The worst thing, Neroni says, is when the architect has
designed the frame and the joinery without consulting the framer.
Timberpeg has an architect as head of its own 15-person design
department and is therefore prepared to work closely with the architect
to get what he or she wants.
Timberpeg works on
complete buildings or roof systems, using primarily Douglas fir and
Eastern white pine, as well as some recycled timber, although demand is
low for the last. The firm avoids oak, Neroni points out, because it
tends to twist, check, and shrink more than other species. "This looks
OK at first, but not good later - unless you want the rustic look." His
company is unusual, Neroni maintains, in that it offers both bent
framing, erected in sections by crane, and post-and-beam construction,
which is erected piece by piece in the field. It also offers both the
more common pre-assembled stress-skin panel enclosures, and
wrap-and-strap enclosures that are assembled at the site. Timberpeg
offers a complete package, Neroni says "framing, enclosure, mill work,
siding, and roofing "or individual pieces. The company has two
manufacturing facilities and four regional companies with regional
managers; it works nationwide and internationally.
Red Suspenders
Timber Framing is in Nacogdoches, Tex., and its president, Tim Chauvin,
agrees that the timber framer should get into the design process early.
"We enjoy working with architects," says Chauvin, "and appreciate what
they bring to the table." But he doesn't expect architects to be fully
up on the nuances of timber-frame design, and he believes that if the
timber framer is fully integrated into the design process big mistakes
can be avoided, such as an improperly butressed hammer-beam truss, a
medieval construct of many small pieces that was designed to sit on
closely spaced masonry walls. "Gravity hasn't changed over the
intervening 300 years," Chauvin notes.
Also, without the
framer, Chauvin warns, constraints can be built in or emotional
commitments made to a design that prevent "the chance to do something
nifty." He sees the architect-timber framer relationship as analogous
to the writer-editor relationship. "There must be mutual respect -
timber framing is not everyday carpentry."
Red Suspenders
offers its own in-house design service as well, for clients who prefer
not to have their own architect. The company specializes in Southwest
regional designs, with a touch of Texas history. Preferred woods are
kiln-dried Southern pine and recycled Douglas fir. "That used to be the
only way to get really dry wood," Chauvin observes, "and we still like
recycled wood for its character and patina." The company keeps its ear
close to the ground for news about the availability of such wood from
anywhere in the country - from old factories, saw mills, and warehouses.
Chauvin sums it up
this way: "The relationship between architect and timber framer should
be a good collaboration - they should work together and educate one
another. If they do, the process gets better each time."
James R. Marshall
was trained as a chemical engineer and spent more than two decades in
the environmental field working for the Environmental Protection Agency
of New York City and then the federal government. He is now an
independent consultant.
For more information
about Traditional Building Magazine: htcstaff@traditional-building.com
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Timber
Framing in Mexico
By Steve Smith
In the summer of 1997,
I received an email from Mexico inquiring about the possibility of me
teaching a timber framing workshop in that country. The Mexican
entrepreneur offered me and my partner a week at a beachfront hotel in
Puerto Villarta in exchange for my teaching a week-long workshop and
supplying the necessary tools. Their dream was to start a log home and
timber frame business in Mexico after learning basic timber framing
skills in the workshop.
After arriving in
Mexico, my partner and I visited the new business site four hours away
in the mountains. Once there, we learned that the Mexicans had just
purchased a new sawmill but didn't know how to use it. Our original
agreement was that they would have the timbers cut when we arrived for
the workshop. So my first order of business was to check out the
sawmill, teach them how to select the proper trees in the woods for
timber, how to operate the sawmill, and how to turn out appropriate
logs. I spent four hours teaching them how to operate the sawmill. My
partner and I then returned to Puerto Villarta for our week at the
beach.
At the end of the
week, my partner returned home, and one of my apprentices from home
flew in. He and I went into the mountains to begin the workshop. When
we got there, the Mexicans had about half the timbers cut. We assembled
our group and started the workshop. In the group were three engineers,
two architects, and five workers from other fields. We started with the
basics and from that progressed into layout. By the end of the week, we
had completed the project, a 28 x 28 queen post timber frame cabin.
This would be the first of several timber frames and log cabins in
their business development.
This trip combined the
satisfaction of sharing knowledge and traveling to a foreign country.
There is nothing like seeing the joy of students in a foreign country
as they see their building project go together.
Note: If you
have a project in a foreign country, contact Steve Smith. He will
occasionally exchange foreign travel for heading up a timber frame
project. Of particular interest are non-profit organizations and
churches in third world countries.
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